Introduction to Japanese Calligraphy

Gyokusen-jo Via Google

Gyokusen-jo Via Google

The art of writing, or calligraphy, as it is commonly known, is an ancient art form that originated in East Asia. Today, many of us are familiar with the calligraphy of Japan; therefore, this article intends on outlining the provenance of that particular artistic sect in addition to describing its idiosyncrasies. 

Japanese calligraphy owes much of its existence to the Chinese. In the twenty-eight century BC, Chinese officials began to use pictographs as a means of record-keeping. Prior to this, the said characters were for religious purposes. As the need for a standardized method of archiving became apparent, Li Si, the prime minister during the Qin Dynasty, created a set of rules for calligraphic writing. The rules are as follows: 
 

  • The script must be based on squares of uniform size and shape.
  • All characters must be able to be written from eight strokes.
  • Horizontal strokes are written first.
  • The script is to be written from left to right and top to bottom.


This system worked out fairly well, as the method for writing was largely based upon the ideal of scraping a sharp object against another, softer object in order to leave a mark. However, many of Li Si's guidelines were ignored when paper, brush, and ink came into widespread use. While the block form and eight strokes method were retained, the writer was now able to express himself through the use of curves and graceful form. It was around this time that the Chinese brought paper, and the art of calligraphy, with them to Japan. 

As time progressed, Japan refined the Chinese style into something that was uniquely their own. Few works from the early times of the art are still in existence; many were destroyed during the Tang Dynasty's rule during the seventh century. However, some copies have survived; these include works by Wang Xizhi, a Chinese man who is referred to as the 'Sage of Calligraphy' because his bold style has had such a great influence on modern calligraphic technique. 

Like many other arts, Japanese Calligraphy had its own so-called Golden Age; this is when a particular art form flourishes, and many advances are made in its methodology. From 794 to 1185, Japanese calligraphers vigorously worked to shed off the Chinese techniques, but Wang Xizhi's remained the authoritative figure during the time. That is not to say that no progress was made, however, because the now traditional Japanese style of calligraphic writing emerged under the reign of one Emperor Saga. An 'assistant' of his said the following: “China is a large country and Japan is relatively small, so I suggest writing in a different way.” Before this time, Japanese calligraphers wrote in Chinese for the most part, which was not very convenient. Soon, this new style of writing was used for official record-keeping and became the primary writing style taught at calligraphy schools. 

As the Golden Age came to a close, the Japanese government was largely taken over by a military regime. Despite this, the arts continued to flourish. New, much less rigid styles of writing developed, and calligraphy became appreciated as an art form by the masses. Two-hundred and fifty years of peace followed; this time is known as the Edo period. A policy developed in which the country isolated itself from outside influences; this allowed the previously conceived forms of calligraphy to mature into their own. During the middle of this time, the Japanese government relaxed the rules regarding isolation, and various forms of Japanese calligraphy were exported around the world, thus introducing the art to Western cultures. 

Today, calligraphy is still a thriving art form. The basics of the art are taught in elementary schools, and students may continue with it if they choose upon reaching high school. Also, some universities offer programs in calligraphy so that the handicraft can continue on to future generations. All in all, calligraphy is a unique East Asian art with a relatively simple history. The art has and will continue to fascinate people from around the globe, and offers a rich view into the culture of traditional Japan.

Introduction to Cityscape

Within the context of art, a cityscape is a work that showcases aspects of cities. It is often known as the urban equivalent of a landscape. Cityscapes are reflected by such mediums as paintings, etchings, drawings, or even photographs. Cityscapes are differentiated by town or village scenes that are less urban in nature. Cityscapes reflect various aspects of cities including (but not limited to) buildings, urban parks, city skylines, and city streets. 

The city in art has a long history. Some early works date to ancient Rome, for example.  The Baths of Trajan, for instance, depict a bird's-eye view of the city. Cityscapes were also created during the Middle Ages; however, these works often served as backgrounds for views of portraits. By the seventeenth century, cityscapes became a celebrated genre of art, particularly in the Netherlands. A famed work from this era is the View of Delft painted by Johannes Vermeer between 1660 and 1661. Dutch cities like Amsterdam and Haarlem were also featured during this period. 

During the eighteenth century, cityscapes became popular in many other European nations, especially in the Italian city of Venice. Some of the most celebrated cityscapes date to eighteenth and nineteenth centuries. Toward the end of the nineteenth century, groups like the Impressionists experimented with new techniques to showcase views of the city. The common thread between the various artistic genres in cityscape works is the representation of the city's physical aspects. 

The cityscape as a popular genre declined considerably during the nineteenth century as more abstract and works of modernity took center stage. Even so, some modern artists continued to reflect the city in their works. A few celebrated painters like Edward Hopper continued to incorporate cityscape elements into their works. Some contemporary artists focus on the city as the subject matter of their art today. For instance, Stephen Wiltshire is known for his panoramic city views. The artist Yvonne Jacquette is celebrated for her aerial cityscapes. 

The cityscape genre has been favored by many historic painters during their era such as Alfred Sisley, James McNeill Whistler, Childe Hassam, Giovanni Canaletto, and John Atkinson Grimshaw. While there is a plethora of world-renowned cityscape works collected by museums today, some particularly celebrated works include City by the Sea (c.1335 A.D.) by Ambrogio Lorenzetti; Paris Street, Rainy Day (1877) by Gustave Caillbotte; and Moscow (1911) by Mikhail Belyaevsky. Although cityscape paintings have declined in popularity during the past century, photographic cityscapes have become a popular genre of the art form.